Allan D'Arcangelo Research Paper
Allan D'Arcangelo was a well-known artist who created many lithographs and silk-screens in the style known as pop art. Unlike some pop artists, D'Arcangelo was not satisfied simply reproducing the icons of modern material society. Instead, he used post modern techniques in his work to turn art itself into a mass-produced product of American culture. Your research paper should:
- Examine the life and work of D'Arcangelo
- Discuss several of D'Arcangelo's creations
- Demonstrate that D'Arcangelo's works were, in many respects, both pop and post modern.
- You may want to review D'Arcangelo's work in light of post modern thinkers such as Barthes and Baudrillard.
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Allan D'Arcangelo's Studies
Allan D'Arcangelo was born in Buffalo in 1930, the son of Italian immigrants. Between 1948 and 1953 he studied at the University of Buffalo, New York. He received a bachelor's degree in history at the University of Buffalo in 1953 and moved to Manhattan, where he studied writing at the New School and education at City College. It was during this period that he began visiting art galleries and encountering the work of the Abstract Expressionists.
Allan D'Arcangelo's Art Galleries
After joining the Army in the mid-1950′s, D'Arcangelo used the G.I. Bill to study painting at Mexico City College for two years, and returned to New York in 1959. The earliest works he produced after his return to New York were in a folk-art style, which he later abandoned in favor of the flat, brilliant colors associated with Pop art. D'Arcangelo's first New York solo show took place in 1963 at the Fischbach Gallery, and included a several paintings that featured an empty black roadway with a white dividing line receding into the distance, according to Cash. Many critics believed these works were emblematic of American car culture, and in the following years, D'Arcangelo became a well-known Pop artist. In 1971 he joined Marlborough Gallery and moved to a farm in the Catskills, where he gradually changed his style, arriving at rougher, more primitive works that were not as well-received as his earlier images. He also taught throughout his career, especially at New York's School of Visual Arts and Brooklyn College before he died of leukemia in New York on December 17, 1998 at age 68.
Although D'Arcangelo became well known as a pop artist, his creations differed form the style of Andy Warhol or Oldenburg, where mass-produced objects such as soup cans or clothespins are the subject matter. For some, these images are merely logical extensions of traditional still life paintings.